Dimensions:
White: 25 H x 25 WMade in Jingdezhen2024
Fired at 1320ºC in a high-reduction atmosphere, this piece captures the organic unpredictability of molten glaze in motion. Layers of feldspathic and ash-based glazes fuse and crystallise into textures that evoke flowering clusters, water currents, and fragments of fleeting light. Speckles of golden flux punctuate the surface like pollen adrift in air, while the turquoise and indigo tones recall the saturated bloom of butterfly pea petals steeped in water.
Each work is singular in its formation—no glaze flow or crystallisation can ever be repeated—making this a one-of-a-kind composition suspended in ceramic permanence. Though framed for wall display, its surface carries the same qualities of durability as high-fired stoneware: vitrified, dense, and resonant.
Please note that handmade ceramic panels with complex glaze reactions may carry subtle surface variations and micro-textures; these are not imperfections but signatures of the firing process. Handle with care and avoid placing the piece in environments with strong impact or abrasives.
Dimensions:
White: 25 H x 25 WMade in Jingdezhen2024
Fired at 1320ºC in reduction, this ceramic panel embodies the alchemy of layered feldspathic glazes, where colour blooms and crystallises in unpredictable constellations. Shades of aqua, amber, and coral flow into each other like petals unfolding under shifting light, while speckles of ochre glaze punctuate the surface like pollen drifting in air.
The surface reveals both softness and intensity—pools of glaze settling into translucent depth, crystalline clusters forming under the high heat of the kiln. Each work is singular; no firing can repeat the same encounter of clay, glaze, and flame.
Mounted within a minimal steel-grey frame, the piece is intended for wall display but retains the same vitrified density as high-fired stoneware. Its micro-textures and subtle crackle surfaces are not flaws, but the natural traces of glaze chemistry at work.
Dimensions:
White: 25 H x 25 WMade in Jingdezhen2024
Fired at 1320ºC, this panel captures the cool serenity of violet and indigo glazes as they spread and merge into soft, floral rhythms. Layers of feldspathic glaze interact with traces of iron and cobalt, giving rise to blooms that hover between abstraction and natural form. Deep pools of midnight blue punctuate the surface, while lighter lavender tones dissolve into a mist-like background, evoking a twilight garden in motion.
Every firing is a singular event: the molten glazes crystallise differently each time, creating patterns that can never be repeated. Here, the surface becomes both painting and geology—flowing like watercolour yet hardened into vitrified permanence.
The work is presented in a minimalist frame, designed for wall display, and its tactile textures bear the mark of fire’s unpredictability. Small speckles, subtle variations, and minute cracks are not flaws but testimonies to the chemistry of high-temperature glazes.
Dimensions:
White: 25 H x 25 WMade in Jingdezhen2024
Fired at 1320ºC, this work reveals a dialogue between earthy density and oceanic depth. Layers of feldspathic glaze, charged with iron and cobalt, shift between moss-green crystallisations and deep marine pools. The surface alternates between opaque and translucent zones, resembling tidal waters washing over stone, leaving traces of mineral deposits and salt-like textures.
The unpredictable chemistry of reduction firing ensures each panel is a unique encounter: molten glaze flows and solidifies into forms that cannot be replicated. Here, the surface oscillates between geological mapping and abstract painting, as if a fragment of landscape has been frozen in ceramic time.
Set within a minimal frame, the piece is intended for wall display, its vitrified glaze surface bearing subtle undulations and micro-crackle that testify to the intensity of high-temperature firing. These variations are not flaws, but signatures of the alchemy between clay, glaze, and fire.
Dimensions:
White: 60 H x 60 WMade in Jingdezhen2025
Sunlight seeps through the glass, slipping quietly into the room. It falls across the mottled wall and the fractured window frame—like the residue of a summer afternoon nap, the kind you can neither fully wake from nor clearly remember. It lingers softly, clinging to the skin, a fleeting warmth suspended between memory and dream.
Dimensions:
White: 120 H x 60 WMade in Jingdezhen2025
The work uses high-fired (1320ºC) coloured glazes to depict the scene of moonlight falling over water. The upper part of the image represents the dark night sky, with a circular glaze mark symbolising the moon. The middle section blends blue and white glazes to create the texture of waves, while the lower part uses yellow and brown glazes to capture the light and reflections on the water. Through the natural flow and reactions of the glaze, the piece captures the fleeting interaction between moonlight and water, evoking a sense of both stillness and movement in the night.