Yang considers the influence of her cultural roots on developing her subjective worldview. She explores notions of family and community by evoking the public and private spaces they collectively occupy. The recorded traces of individual lives lived amidst fluctuations of climate and economy are a testament to the impermanence characterising our human experience.

Through film, sound and ceramics, she is dedicated to observing and recording the individuals in the social torrent. As a digital participant, her practice conducts her observations and concerns about social issues in misreading domestic labour, the failure of capitalism, physical commons, and collectivism, but in a positive way.